Interview:Mansun Guitar Magazine September 1998 - Revision history

DarkMavis: /* Interview */

2016-02-15T22:52:25Z

‎Interview

DarkMavis: /* Interview */

2016-02-15T22:51:37Z

‎Interview

DarkMavis: /* Interview */

2016-02-15T22:48:37Z

‎Interview

DarkMavis: DarkMavis moved page Mansun Guitar Magazine September 1998 (Interview) to Interview:Mansun Guitar Magazine September 1998 without leaving a redirect: Moving page to page category type

2016-01-08T21:08:50Z

DarkMavis moved page Mansun Guitar Magazine September 1998 (Interview) to Interview:Mansun Guitar Magazine September 1998 without leaving a redirect: Moving page to page category type

DarkMavis at 22:00, 14 September 2015

2015-09-14T22:00:28Z

DarkMavis at 21:56, 3 September 2015

2015-09-03T21:56:10Z

DarkMavis at 21:49, 3 September 2015

2015-09-03T21:49:37Z

DarkMavis: /* Scans */

2015-09-02T22:23:27Z

‎Scans

DarkMavis: /* Scans */

2015-09-02T22:22:01Z

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DarkMavis: /* Scans */

2015-09-02T22:20:48Z

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← Older revision		Revision as of 22:52, 15 February 2016
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	which is excellent for a really shitty chorus sound.		which is excellent for a really shitty chorus sound.

−	'We also used an [[Eventide DSP 4000\|Eventide DSP4000]], an old [[MXR Flanger\|MXR flanger]] which is fantastic - you can hear that at the end of Fall Out, where the Legacy riff comes back in. As I was playing that riff through this MXR flanger, Paul was twirling the knobs around as I played. Really fucked-up sound ¬great! We also used a [[~~Bell~~ BF20 Flanger\|Bell BF20 rack flanger]] - you can hear that on the main riff of Anti-Everything. Again, it's on the verge of being out-of¬tune-y, but it's a fantastic noise. We also got in some old Korg synthesiser and put my guitar through that, messing around with the filters and everything. We had to tape one of the keys down before you could play guitar through it. Dunno why. I suppose 'cause it's a synth, really.'	+	'We also used an [[Eventide DSP 4000\|Eventide DSP4000]], an old [[MXR Flanger\|MXR flanger]] which is fantastic - you can hear that at the end of Fall Out, where the Legacy riff comes back in. As I was playing that riff through this MXR flanger, Paul was twirling the knobs around as I played. Really fucked-up sound ¬great! We also used a [[Bel BF20 Flanger\|Bell BF20 rack flanger]] - you can hear that on the main riff of Anti-Everything. Again, it's on the verge of being out-of¬tune-y, but it's a fantastic noise. We also got in some old Korg synthesiser and put my guitar through that, messing around with the filters and everything. We had to tape one of the keys down before you could play guitar through it. Dunno why. I suppose 'cause it's a synth, really.'

@@ Line 97: / Line 97: @@
 is actually still in its infancy. It's just that someone like John Squire has put it back 30 years by ripping off Led Zeppelin again, and if Noel Gallagher doesn't do anything apart from rip off old George Harrison riffs then, no, it's not going to go anywhere. But every now and again good innovative sound makers come along and push things forward - it is only every now and again, though.'
-Chad: 'One effect we used a lot was the TC Electronics Fireworks, a new rack processor which has some fantastic sounds: it's very "effecty" - it doesn't so much process the sound of the guitar as completely change it. On some patches the notes you fret just trigger sounds ¬it's quite random. Then there were loads of smaller pedals - a [[Colorsound Tonebender]], an [[Electro Harmonix Big Muff|Electro-Harmonix Big Muff]], a [[Danelectro Daddy-O|Daddy-O]], a [[Pro Co Sound RAT|Rat fuzz]], plus an old [[Electro Harmonix Clone Theory|Electro-Harmonix Clone Theory]]
+Chad: 'One effect we used a lot was the TC Electronics Fireworks, a new rack processor which has some fantastic sounds: it's very "effecty" - it doesn't so much process the sound of the guitar as completely change it. On some patches the notes you fret just trigger sounds ¬it's quite random. Then there were loads of smaller pedals - a [[Colorsound Toneblender]], an [[Electro Harmonix Big Muff|Electro-Harmonix Big Muff]], a [[Danelectro Daddy-O|Daddy-O]], a [[Pro Co Sound RAT|Rat fuzz]], plus an old [[Electro Harmonix Clone Theory|Electro-Harmonix Clone Theory]]
 Image 5b - bottom middle

@@ Line 97: / Line 97: @@
 is actually still in its infancy. It's just that someone like John Squire has put it back 30 years by ripping off Led Zeppelin again, and if Noel Gallagher doesn't do anything apart from rip off old George Harrison riffs then, no, it's not going to go anywhere. But every now and again good innovative sound makers come along and push things forward - it is only every now and again, though.'
-Chad: 'One effect we used a lot was the TC Electronics Fireworks, a new rack processor which has some fantastic sounds: it's very "effecty" - it doesn't so much process the sound of the guitar as completely change it. On some patches the notes you fret just trigger sounds ¬it's quite random. Then there were loads of smaller pedals - a [[Colorsound Tonebender]], an [[Electro-Harmonix Big Muff]], a [[Daddy-O]], a [[Rat fuzz]], plus an old [[Electro-Harmonix Clone Theory]]
+Chad: 'One effect we used a lot was the TC Electronics Fireworks, a new rack processor which has some fantastic sounds: it's very "effecty" - it doesn't so much process the sound of the guitar as completely change it. On some patches the notes you fret just trigger sounds ¬it's quite random. Then there were loads of smaller pedals - a [[Colorsound Tonebender]], an [[Electro Harmonix Big Muff|Electro-Harmonix Big Muff]], a [[Danelectro Daddy-O|Daddy-O]], a [[Pro Co Sound RAT|Rat fuzz]], plus an old [[Electro Harmonix Clone Theory|Electro-Harmonix Clone Theory]]
 Image 5b - bottom middle
@@ Line 105: / Line 105: @@
 which is excellent for a really shitty chorus sound.
-'We also used an [[Eventide DSP4000]], an old [[MXR flanger]] which is fantastic - you can hear that at the end of Fall Out, where the Legacy riff comes back in. As I was playing that riff through this MXR flanger, Paul was twirling the knobs around as I played. Really fucked-up sound ¬great! We also used a Bell BF20 rack flanger - you can hear that on the main riff of Anti-Everything. Again, it's on the verge of being out-of¬tune-y, but it's a fantastic noise. We also got in some old Korg synthesiser and put my guitar through that, messing around with the filters and everything. We had to tape one of the keys down before you could play guitar through it. Dunno why. I suppose 'cause it's a synth, really.'
+'We also used an [[Eventide DSP 4000|Eventide DSP4000]], an old [[MXR Flanger|MXR flanger]] which is fantastic - you can hear that at the end of Fall Out, where the Legacy riff comes back in. As I was playing that riff through this MXR flanger, Paul was twirling the knobs around as I played. Really fucked-up sound ¬great! We also used a [[Bell BF20 Flanger|Bell BF20 rack flanger]] - you can hear that on the main riff of Anti-Everything. Again, it's on the verge of being out-of¬tune-y, but it's a fantastic noise. We also got in some old Korg synthesiser and put my guitar through that, messing around with the filters and everything. We had to tape one of the keys down before you could play guitar through it. Dunno why. I suppose 'cause it's a synth, really.'
@@ Line 155: / Line 155: @@
 they simply continue work on their already half-written third album. (Subject matter: Don't Ask.)
 'Six is a very selfish album,' concludes Chad, as Olympic Sound's nine-to-five shift draws to a close. 'It's what we want to listen to. There was no agenda other than to make the best sounding record we could, really. We self-consciously tried to sound like no-one else on this record, and to my ears we don't. The people who've heard it so far say it sounds like it was influenced by Mansun.
 'And that,' he grins like a bear with plenty of pots of honey, 'is A Good Thing.'
-−
 ==Scans==

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 'Six is a very selfish album,' concludes Chad, as Olympic Sound's nine-to-five shift draws to a close. 'It's what we want to listen to. There was no agenda other than to make the best sounding record we could, really. We self-consciously tried to sound like no-one else on this record, and to my ears we don't. The people who've heard it so far say it sounds like it was influenced by Mansun.
 'And that,' he grins like a bear with plenty of pots of honey, 'is A Good Thing.'
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 File:GuitarMagazineSept1998-Page7.jpg|Scan7
 </gallery>
 [[Category:Dominic Chad]]

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 ==Scans==
-<gallery mode="packed-hover" caption="Interview Gallery" widths="150px" heights="200px">
+<gallery mode="packed" caption="Interview Gallery" widths="150px" heights="200px">
 File:GuitarMagazineSept1998-Page1.jpg|Scan1
 File:GuitarMagazineSept1998-Page2.jpg|Scan2

← Older revision	Revision as of 21:08, 8 January 2016
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 ==Scans==
 <gallery mode=packed-overlay caption="Interview Gallery" widths="150px" heights="200px">
-File:GuitarMagazineSept1998-Page1.jpg = Scan1
+File:GuitarMagazineSept1998-Page1.jpg|Scan1
-File:GuitarMagazineSept1998-Page2.jpg = Scan2
+File:GuitarMagazineSept1998-Page2.jpg|Scan2
-File:GuitarMagazineSept1998-Page3.jpg = Scan3
+File:GuitarMagazineSept1998-Page3.jpg|Scan3
-File:GuitarMagazineSept1998-Page4.jpg = Scan4
+File:GuitarMagazineSept1998-Page4.jpg|Scan4
-File:GuitarMagazineSept1998-Page5.jpg = Scan5
+File:GuitarMagazineSept1998-Page5.jpg|Scan5
-File:GuitarMagazineSept1998-Page6.jpg = Scan6
+File:GuitarMagazineSept1998-Page6.jpg|Scan6
-File:GuitarMagazineSept1998-Page7.jpg = Scan7
+File:GuitarMagazineSept1998-Page7.jpg|Scan7
 </gallery>