← Older revision

Revision as of 22:51, 15 February 2016

Line 97:

is actually still in its infancy. It's just that someone like John Squire has put it back 30 years by ripping off Led Zeppelin again, and if Noel Gallagher doesn't do anything apart from rip off old George Harrison riffs then, no, it's not going to go anywhere. But every now and again good innovative sound makers come along and push things forward - it is only every now and again, though.'

is actually still in its infancy. It's just that someone like John Squire has put it back 30 years by ripping off Led Zeppelin again, and if Noel Gallagher doesn't do anything apart from rip off old George Harrison riffs then, no, it's not going to go anywhere. But every now and again good innovative sound makers come along and push things forward - it is only every now and again, though.'

−

Chad: 'One effect we used a lot was the TC Electronics Fireworks, a new rack processor which has some fantastic sounds: it's very "effecty" - it doesn't so much process the sound of the guitar as completely change it. On some patches the notes you fret just trigger sounds ¬it's quite random. Then there were loads of smaller pedals - a [[Colorsound Tonebender]], an [[Electro Harmonix Big Muff|Electro-Harmonix Big Muff]], a [[Danelectro Daddy-O|Daddy-O]], a [[Pro Co Sound RAT|Rat fuzz]], plus an old [[Electro Harmonix Clone Theory|Electro-Harmonix Clone Theory]]  

+

Chad: 'One effect we used a lot was the TC Electronics Fireworks, a new rack processor which has some fantastic sounds: it's very "effecty" - it doesn't so much process the sound of the guitar as completely change it. On some patches the notes you fret just trigger sounds ¬it's quite random. Then there were loads of smaller pedals - a [[Colorsound Toneblender]], an [[Electro Harmonix Big Muff|Electro-Harmonix Big Muff]], a [[Danelectro Daddy-O|Daddy-O]], a [[Pro Co Sound RAT|Rat fuzz]], plus an old [[Electro Harmonix Clone Theory|Electro-Harmonix Clone Theory]]  

Image 5b - bottom middle

Image 5b - bottom middle

← Older revision		Revision as of 22:52, 15 February 2016
Line 105:		Line 105:
	which is excellent for a really shitty chorus sound.		which is excellent for a really shitty chorus sound.

−	'We also used an [[Eventide DSP 4000\|Eventide DSP4000]], an old [[MXR Flanger\|MXR flanger]] which is fantastic - you can hear that at the end of Fall Out, where the Legacy riff comes back in. As I was playing that riff through this MXR flanger, Paul was twirling the knobs around as I played. Really fucked-up sound ¬great! We also used a [[~~Bell~~ BF20 Flanger\|Bell BF20 rack flanger]] - you can hear that on the main riff of Anti-Everything. Again, it's on the verge of being out-of¬tune-y, but it's a fantastic noise. We also got in some old Korg synthesiser and put my guitar through that, messing around with the filters and everything. We had to tape one of the keys down before you could play guitar through it. Dunno why. I suppose 'cause it's a synth, really.'	+	'We also used an [[Eventide DSP 4000\|Eventide DSP4000]], an old [[MXR Flanger\|MXR flanger]] which is fantastic - you can hear that at the end of Fall Out, where the Legacy riff comes back in. As I was playing that riff through this MXR flanger, Paul was twirling the knobs around as I played. Really fucked-up sound ¬great! We also used a [[Bel BF20 Flanger\|Bell BF20 rack flanger]] - you can hear that on the main riff of Anti-Everything. Again, it's on the verge of being out-of¬tune-y, but it's a fantastic noise. We also got in some old Korg synthesiser and put my guitar through that, messing around with the filters and everything. We had to tape one of the keys down before you could play guitar through it. Dunno why. I suppose 'cause it's a synth, really.'

Interview:Mansun Guitar Magazine September 1998 - Revision history

DarkMavis: /* Interview */

DarkMavis: /* Interview */