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| | DECEMBER 1997 | | DECEMBER 1997 |
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| − | ===INTERVIEW === | + | === Interview === |
| | MANSUN - ATTACK OF THE GREY LANTERN | | MANSUN - ATTACK OF THE GREY LANTERN |
| | As 1997 draws to a close, Mansun stand poised on the threshold of major-league success. Pat Reid talks to their resident | | As 1997 draws to a close, Mansun stand poised on the threshold of major-league success. Pat Reid talks to their resident |
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| | Basically it's fairly subtle and just gives a little more attack to the notes." A subtly increased attack/notes interface is a major requirement for Chad, because most of what he plays is lead guitar, with very few chords. | | Basically it's fairly subtle and just gives a little more attack to the notes." A subtly increased attack/notes interface is a major requirement for Chad, because most of what he plays is lead guitar, with very few chords. |
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| − | ===LOUD AND CLEAR === | + | === Loud And Clear === |
| | "I've got the compressor on all the time, and the basic sound is the two amps. | | "I've got the compressor on all the time, and the basic sound is the two amps. |
| | I use one of those Mesa Boogie V-Twin pre-amp | | I use one of those Mesa Boogie V-Twin pre-amp |
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| | we'll certainly keep it in." | | we'll certainly keep it in." |
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| − | ===STRUCTURING THE SONGS === | + | ===Structuring The Songs === |
| | While enigmatic frontman genius/weirdo Paul Draper writes the bulk of Mansun material, the lead lines are, naturally, Chad's territory. | | While enigmatic frontman genius/weirdo Paul Draper writes the bulk of Mansun material, the lead lines are, naturally, Chad's territory. |
| | "A lot of it is putting back the little subtleties that you lose when you take an acoustic song and play it through a cranked up amp. | | "A lot of it is putting back the little subtleties that you lose when you take an acoustic song and play it through a cranked up amp. |
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| | "If something good happens that was an accident, we'll certainly keep it in." | | "If something good happens that was an accident, we'll certainly keep it in." |
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| − | ===CROSSING OVER === | + | === Crossing Over === |
| | With UK sales of 200,000 for Grey Lantern, Mansun are currently the biggest cult band in the land. | | With UK sales of 200,000 for Grey Lantern, Mansun are currently the biggest cult band in the land. |
| | Whether they can built on this success and cross over to a truly mainstream audience remains to be seen. | | Whether they can built on this success and cross over to a truly mainstream audience remains to be seen. |
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| | Their schedule is sewn up for the next six months - they tour America, where Wide Open Space has done well, then record that difficult second album. | | Their schedule is sewn up for the next six months - they tour America, where Wide Open Space has done well, then record that difficult second album. |
| | Reclining on the ugly but functional Parr Street upholstery, Chad seems tired - and he's fully aware that this is only the beginning. | | Reclining on the ugly but functional Parr Street upholstery, Chad seems tired - and he's fully aware that this is only the beginning. |
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| | So we talk of more mundane matters; which is better, gigs or recording? "On stage you can let go a bit more," Chad says. | | So we talk of more mundane matters; which is better, gigs or recording? "On stage you can let go a bit more," Chad says. |
| | "I'm very conscious of trying to get things right in the studio, and also you're working it out at the same time as you're laying it down." | | "I'm very conscious of trying to get things right in the studio, and also you're working it out at the same time as you're laying it down." |
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| | WIDE OPEN SPACE | | WIDE OPEN SPACE |
| | Joe Bennett talks you through Chad's ace one-string solo from this 1996 hit. | | Joe Bennett talks you through Chad's ace one-string solo from this 1996 hit. |
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